Maximilian II, 1527-1576, Holy Roman Emperor 1564 [obverse] 1570 - 1575

Editor: This medal, crafted by Antonio Abondio between 1570 and 1575, portrays Maximilian II, the Holy Roman Emperor. Its metallic sheen and circular composition feel very formal and deliberate. What catches your eye in terms of the artwork’s pure aesthetics? Curator: The relief's sculptural quality is certainly pronounced. Note how Abondio utilizes the restricted circular space to create a self-contained, almost hermetic portrait. Observe how the texture varies – from the intricate rope border to the smooth planes of the emperor’s face. Do you see any dissonance or harmony in these contrasts? Editor: I think it is visually harmonious. The braided frame is visually busy, yet it emphasizes the smooth central portrait by contrast. Is it right to think about harmony with an object displaying such an important person? Curator: Harmony may very well extend from design to ideal, and back. The lettering, for instance, encircling the figure, contains the figure within its designated role as “MAXIMILIANVS II AVG,” yet this lettering never overwhelms the portrait itself. Abondio ensures our eye is always drawn back to Maximilian’s profile and commanding gaze. Editor: So the aesthetic choices reinforce his authority without being ostentatious. Curator: Precisely. The arrangement, the lettering, and even the considered finish, contribute to its sophisticated visual vocabulary. Every component supports the presentation of power and position within the Renaissance language of symbolism. Editor: It’s interesting how even a seemingly simple portrait medal can reveal so much about artistry and design. Curator: Indeed, examining art through a purely formal lens allows us to unpack the artistic techniques used, regardless of time or subject. Hopefully we both expanded our gaze just now!