Portret van Frederikke Amalia 1694 - 1737

Curator: Isn't it remarkable how a simple engraving can transport us back centuries? Editor: It is. This is a portrait of Frederikke Amalie; the date is somewhere between 1694 and 1737. It's a print on paper by Pieter van den Berge. The muted tones and fine lines create a feeling of delicate grandeur. What catches your eye about this particular piece? Curator: Ah, the sitter's gaze, unwavering, direct. Van den Berge captured not just a likeness, but perhaps a glimmer of Frederikke Amalie's spirit. The Baroque era loved its ornamentation, didn't it? That frame… feels a little claustrophobic now, doesn’t it? Makes me wonder what she thought of all that finery. Maybe it was just the uniform of the day for a powerful woman in her position. Editor: It does feel a bit rigid compared to modern portraits. Did the frame have a symbolic purpose? Curator: Possibly! Baroque art was often steeped in symbolism. It could represent status, virtue, or even her connection to her lineage. It would be fascinating to dive into the family history and see if those decorative choices hold specific clues, wouldn't it? Editor: That’s such a good point! I was so focused on the artistic style, I didn’t really consider the family. I’ll need to start researching this history. Curator: Precisely! We are both detectives as much as appreciators. Editor: This has completely shifted how I see this print. Thanks! Curator: My pleasure. May you always be as curious as Frederikke Amalie's eyes!