Mrs. Samuel Vaughan 1838

Anna Claypoole Peale made this portrait of Mrs. Samuel Vaughan using graphite on ivory. The choice of ivory is particularly interesting; it was a precious material, often sourced through colonial trade networks. Its smooth, dense surface allows for a remarkable level of detail, creating an almost photographic realism. Consider the labor involved in crafting such a miniature. Peale would have needed a steady hand, a keen eye, and the ability to build up tone through countless tiny strokes. The intimate scale suggests a personal connection, perhaps even a sense of quiet contemplation on the part of both artist and sitter. While portraiture has always been considered a fine art, Peale’s attention to material and process reminds us of the skill and dedication inherent in all forms of making. It challenges us to consider the value we place on different forms of creative expression, and to see the artistry in even the most seemingly simple of objects.