Ah! Young Man! What a record you have undertaken here...! 1823
drawing, coloured-pencil, lithograph, print, paper, ink
portrait
drawing
coloured-pencil
lithograph
paper
ink
coloured pencil
romanticism
genre-painting
Dimensions: Sheet: 12 13/16 × 9 13/16 in. (32.5 × 24.9 cm) Image: 8 11/16 × 7 1/4 in. (22.1 × 18.4 cm)
Copyright: Public Domain
Editor: This lithograph, "Ah! Young Man! What a record you have undertaken here...!" created in 1823 by Hippolyte Bellangé, depicts a somewhat comical scene of artists at work. I’m struck by the contrast between the elder artist, seemingly overwhelmed, and the younger one, focused on his drawing. How do you interpret this work? Curator: Immediately, I'm drawn to the symbolism of hands—literally, in the handshake painting on the easel. It appears that the elder artist frets while the young artist toils. Is Bellange suggesting here something about passing on skills? What kind of message does this hand-off of generational artistic ideals represent? Editor: That's a fascinating point about the handshake. I hadn’t considered it as a passing of skills. I was focused more on the humor of the composition and that the artist seems stressed! Curator: Stress is a signal, certainly, perhaps the struggle to uphold artistic integrity! The prints in the background of the work seem to show feet and other body parts on the walls and even on easels! Think of Romanticism's fascination with dramatic narratives, and consider genre painting's focus on scenes of everyday life and customs, perhaps Bellangé is drawing on multiple styles to convey multiple cultural stories within his artwork. What does that tell you? Editor: Perhaps Bellangé is saying something about the anxiety involved in trying to reconcile grand, idealized artistic traditions with everyday realities, but does so with humour and charm? I didn't even realize the feet and other body parts had this additional symbolic layer...I missed a lot, actually. Curator: It’s easy to miss layers when imagery works so well to guide us through cultural touchstones of generations through iconography and portraiture. But that tension itself—the artist striving to connect with, and maybe even critique the old—speaks volumes. I will look closer now, with new eyes and a sense of what art styles combine to transmit specific messages. Thanks for prompting closer looking, both for artist intention, and for those elements of anxiety too.
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