Girl in profile by Joan Brull

Girl in profile 1907

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drawing, pencil

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portrait

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drawing

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facial expression drawing

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head

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face

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pencil sketch

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portrait reference

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sketch

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pencil

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line

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symbolism

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animal drawing portrait

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nose

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portrait drawing

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facial study

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facial portrait

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portrait art

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fine art portrait

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digital portrait

Copyright: Public domain

Curator: What a delicately rendered drawing. The artwork we're looking at is Joan Brull's "Girl in Profile," created around 1907 using pencil. It feels so intimate. Editor: Yes, intimate is the perfect word! It's a whispered portrait, almost like a memory. There's a gentle, melancholy air about her, holding that small sprig of flowers...It is barely there! Like something half-remembered. Curator: Brull was known for his Symbolist paintings, and we can see a trace of that influence in this work. Consider the materials: the humble pencil elevates an inexpensive process into something meaningful. The paper support, most likely mass-produced, offered an accessible medium. Editor: And how those delicate lines give way to rougher, unfinished areas. I wonder, was that intentional? To capture a sense of fleeting beauty, maybe? A Symbolist would absolutely use that lack of completion to get across their idea. The lack of finish allows her interior life to shine through, her pensive mood becomes the most crucial element. Curator: Exactly! The incomplete nature prompts questions about artistic intention and reception. How did the ready availability of pencils and paper contribute to art production? Was Brull constrained by his limited resources? Editor: Oh, or maybe freed by them! No oil paint to worry about, no laborious grinding of pigments, just direct, immediate expression. The girl in profile seems lost in thought. And she is holding the faintest hint of flowers; does she detect their aroma? Curator: Fascinating! I hadn't considered the aspect of olfactory sensation in relationship to her gesture. One question is that we should look at other pencil portraits from this time period, considering gender and class. Did women and working-class artists use this medium more? Editor: I keep coming back to that expression, her lowered gaze… She could be contemplating a great loss, or perhaps a secret joy. And the raw, unfinished quality is so evocative. This piece whispers to the viewer; its imperfections invite contemplation and imagination! Curator: Precisely, the relationship of intention, materials and modes of reception is never quite clear cut. This exploration prompts a deep understanding of "Girl in Profile,". Editor: A pensive mood, crafted in pencil, that speaks across a century, leaving a quiet lingering trace, the smell of almost-forgotten blossoms!

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