Study for 'The Lady Clare' 1900

John William Waterhouse made this study for 'The Lady Clare' using chalk on paper. The use of chalk, a readily available material, connects this study to traditional academic practices. Observe how Waterhouse coaxes form from the chalk, using hatching and cross-hatching to build up tonal depth and volume. The texture of the paper also plays a part, catching the chalk and creating a subtle graininess that softens the overall effect. The deliberate strokes, carefully layered, give the figure a sense of depth and presence. The use of red chalk, also known as sanguine, was a popular choice for figure studies because of its resemblance to the natural tones of the human body. While seemingly simple, this drawing embodies a depth of skill and tradition, reflecting the broader cultural values associated with academic art training. Recognizing the ways in which materials, techniques, and cultural values intertwine enriches our appreciation of artworks like this study.