Halve stuiver, noodmunt uit Deventer, geslagen tijdens het beleg by Balthasar Wijntgens

Halve stuiver, noodmunt uit Deventer, geslagen tijdens het beleg Possibly 1578

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mixed-media, carving, print, metal, relief, engraving

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mixed-media

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medieval

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carving

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print

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metal

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relief

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ceramic

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history-painting

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engraving

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monochrome

Dimensions: diameter 2.2 cm, weight 2.16 gr

Copyright: Rijks Museum: Open Domain

Curator: Let's turn our attention to this unassuming coin. Titled "Halve stuiver, noodmunt uit Deventer, geslagen tijdens het beleg," it likely dates back to 1578, a turbulent period. What's your first take on it? Editor: Well, I'm struck by its texture, almost abraded. The circular form is emphasized by that incised band, but the uneven edge feels really tense. It’s a study in constrained geometry. Curator: Absolutely. The material reality speaks to its history. As a "noodmunt," or emergency coinage, it reflects a time of siege and scarcity in Deventer. The symbols pressed onto its surface tell the story of its origins and the cultural values under duress. The eagle is the powerful recurring symbol. Editor: The imagery is really intriguing—the eagle, obviously denoting power and dominion, is strikingly stylized. Then we have the crown and the lettering—there is so much going on. Visually it suggests instability despite its symbolism of authority. Curator: Precisely. The city of Deventer was under siege, and traditional systems of currency were disrupted, leading to the creation of these makeshift coins. The imagery stamped on these coins isn't arbitrary but would have carried immense significance, especially as acts of war. It was designed to quickly deliver a psychological message: "Even under siege, we are here." Editor: The relief looks surprisingly delicate, almost fragile considering its potential metallic origins, which contrasts sharply with the implications of a siege. Is the aesthetic deliberately discordant, suggesting inherent socio-political tension and conflict? Curator: The intention was very likely pragmatic, focusing on getting coinage out fast. However, I agree the dissonance in this piece reveals quite a bit about a collective identity tested by conflict and reveals just how art is shaped by events and trauma. Editor: So, even in an object as small and seemingly utilitarian as a coin, we find encoded layers of historical and cultural weight. Fascinating. Curator: Indeed. It serves as a potent reminder that even the most modest artifacts can offer a lens into understanding larger societal upheavals.

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