Untitled 1959

This untitled work is by Verena Loewensberg, and you can see how she embraces a process that celebrates simple, block-like forms. The color palette, so straightforward - blue, green, and black - feels almost like a game. Look at the interplay of these colors; they aren't just sitting pretty. They're pushing and pulling, creating a sense of depth and space. I like the way the flat black shape at the bottom anchors the composition, while the blue at the top feels airy and light. There’s a tension here; it looks effortless, but I bet a lot of thought went into it. It reminds me a bit of what Al Held was doing, that same hard-edged geometry. But Loewensberg brings something else; a playfulness, an intuitive sense of balance. It's a conversation across time, each artist riffing on the ideas of those who came before. It's simple, but it sings.