De pelgrims by Jan Baptist de Wael

De pelgrims 1642 - 1669

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drawing, print, etching, ink, engraving

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drawing

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print

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pen sketch

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etching

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landscape

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river

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figuration

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ink

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genre-painting

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engraving

Dimensions: height 83 mm, width 129 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have Jan Baptist de Wael’s etching, engraving, and ink drawing, "The Pilgrims," created sometime between 1642 and 1669. The figures really dominate the composition, giving the scene a somewhat weighty, burdened feeling. What symbols do you see present in this piece? Curator: Indeed, it’s packed with symbols, many rooted in the traditions surrounding pilgrimage. Notice the scallop shells adorning their garments? These were common emblems of St. James, the patron saint of pilgrims to Santiago de Compostela. They signaled the wearer's journey and were often collected as proof of their completion of the pilgrimage. Editor: Ah, so the shells indicate that this is a religious journey? Curator: More than that, consider the walking sticks and the burden one figure carries – perhaps another pilgrim unable to continue the journey. It speaks to a collective human endeavor, doesn't it? The dog also plays a symbolic role. Often seen as a symbol of loyalty, the dog underscores the idea of unwavering faith and companionship along the arduous spiritual path. Editor: That's really interesting, I hadn't considered the layers of meaning there. What about the landscape, does that hold any significance? Curator: Landscapes in pilgrimage art can represent both physical and spiritual challenges. The figures journey through rough terrain toward what appears to be a distant destination. Pilgrimage is rarely an easy path; the physical journey mirrors the internal, spiritual quest. De Wael captures that perfectly. The composition subtly directs us to think of the perseverance needed when you set your sights on a desired place. Editor: It really makes you think about what drove these people to embark on such a demanding journey, both physically and spiritually. Curator: Precisely! And it’s fascinating how artists can use simple visual cues, things like shells and walking sticks, to communicate complex cultural and spiritual meanings. It is cultural memory expressed. Editor: This piece definitely has layers beyond its simple portrayal of travelers!

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