Smeedijzeren kelk c. 1890 - 1922

This is Johanna van de Kamer’s sketch of a wrought iron chalice. Van de Kamer, who lived from 1873 to 1922, was working at a time when women's roles in the arts were slowly expanding, yet still faced significant limitations. This image reflects the traditional craft of ironwork but done through the female gaze. Traditionally, ironwork was a male dominated field; her drawing challenges these gendered divisions of labor. Van de Kamer’s delicate linework and attention to detail transforms this functional object into a piece of art. The sketch highlights the artistry involved in metalwork, suggesting a dialogue between art and craft. Consider the act of sketching itself. Is this an act of reverence or critique? Does it embody the artist’s personal connection to the craft?