Portret van Nicolaas de Roever by Jan Veth

Portret van Nicolaas de Roever 1893

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drawing, pen

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portrait

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pencil drawn

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drawing

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pencil sketch

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pen-ink sketch

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pen

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pencil work

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academic-art

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realism

Dimensions: height 250 mm, width 148 mm

Copyright: Rijks Museum: Open Domain

Curator: Let’s delve into Jan Veth’s 1893 drawing, "Portret van Nicolaas de Roever," currently residing in the Rijksmuseum collection. Editor: Immediately, I'm struck by the almost scientific precision in the cross-hatching. It creates a remarkable sense of depth for a pen and pencil sketch. Curator: Veth was deeply engaged in the cultural circles of his time. Considering De Roever's status within Amsterdam society, what underlying message do you think Veth conveys about class or identity through this portrait? Editor: The tight composition and meticulous detail definitely suggest a desire for control and order. The lines are confident, creating clear boundaries that delineate De Roever from the surrounding space. We see this echoed in academic realism of that era. Curator: Absolutely, and consider the context: late 19th century Amsterdam, a city undergoing rapid social and political shifts. Doesn't this portrait act as a statement, affirming the sitter's position amidst this flux? How much of his own privilege played into this controlled image? Editor: It could also just be his style; it is academic after all. If we look closely at the hatching, we can see how Veth models the face by manipulating line density and direction. The subtle shift gives form and volume to the face. I would be interested to study this in different works by Veth, maybe class isn't even something that Veth considered. Curator: But isn't the “academic” itself a reflection of those power dynamics? And how could the "objective" artistic hand ever escape influence? Veth isn't simply rendering a likeness, he is constructing a representation within a web of social meanings. Editor: It's a compelling consideration! Even in what we consider the most neutral approaches to art, these social issues emerge in unexpected ways. It would be fascinating to discover more of Veth’s history and context and relate it to our time. Curator: Precisely. I’m left considering the agency De Roever had in choosing to be represented in such a way during such a time. Editor: A perfect final reflection!

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