1923
Très Parisien. La Mode, Le Chic, L’Elégance
Anonymous
@anonymousLocation
RijksmuseumListen to curator's interpretation
Curatorial notes
Editor: This is "Très Parisien. La Mode, Le Chic, L’Élégance," a print from 1923, artist is listed as Anonymous and is currently housed in the Rijksmuseum. I find the stylized rendering of the woman and the fashion so striking, so geometric. How would you interpret this work? Curator: The print certainly embodies the Art Deco spirit, but look closely at the symbols at play. Consider the woman herself – posed, aloof, adorned in fur. The image vibrates with the symbolic power of Parisian chic, reflecting aspiration and an almost ethereal grace. It’s as though she embodies the *idea* of elegance, rather than a specific person. Editor: So, you're saying the image operates more as a symbol of fashion than just a picture of clothing? Curator: Precisely! Notice how the print uses a visual language, almost hieroglyphic, where the sleek lines, the repeating patterns on the coat, the precisely placed plant—all contribute to the overarching message of Parisian style. It's designed to communicate status and sophistication in a single glance, feeding a collective dream. Consider the lasting power of these images: do they echo in fashion imagery today? Editor: Absolutely, I can see that echo now. This idealized, almost unattainable, version of elegance is everywhere. Thanks, I hadn't considered the psychological weight carried by these images of fashion. Curator: My pleasure, that's how we see how visual memory works over time.