About this artwork
This is a 1923 fashion plate, “Très Parisien,” and what gets me is the anonymous artist's way of seeing, thinking, and experiencing the world through these marks. It’s like they’re using color to build a character, not just a pretty dress. That bold blue, right? It’s everywhere, but it’s not just one note. Look how it shifts and plays with the light, almost like a watercolor but sharper. And the dress, that’s where things get really interesting. All those tiny, intricate patterns – they're not just decoration; they’re alive. There’s a rhythm in the way they move, a sense of energy that makes the whole image vibrate. I’m reminded of Erté, but with a touch more… I don’t know, mischief? It's like the artist is saying, "Fashion can be fun, fashion can be a form of art," and that’s a conversation I always want to be a part of.
Très Parisien, 1923, No 6: 15. - QUI M'AIME ME SUIVE... - Une toilette élégante...
1923
Anonymous
@anonymousLocation
RijksmuseumArtwork details
- Dimensions
- height 269 mm, width 180 mm
- Location
- Rijksmuseum
- Copyright
- Rijks Museum: Open Domain
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About this artwork
This is a 1923 fashion plate, “Très Parisien,” and what gets me is the anonymous artist's way of seeing, thinking, and experiencing the world through these marks. It’s like they’re using color to build a character, not just a pretty dress. That bold blue, right? It’s everywhere, but it’s not just one note. Look how it shifts and plays with the light, almost like a watercolor but sharper. And the dress, that’s where things get really interesting. All those tiny, intricate patterns – they're not just decoration; they’re alive. There’s a rhythm in the way they move, a sense of energy that makes the whole image vibrate. I’m reminded of Erté, but with a touch more… I don’t know, mischief? It's like the artist is saying, "Fashion can be fun, fashion can be a form of art," and that’s a conversation I always want to be a part of.
Comments
Share your thoughts