Portret van Mevrouw Mosion by baron Dominique Vivant Denon

Portret van Mevrouw Mosion before 1803

0:00
0:00

drawing, pencil

# 

portrait

# 

drawing

# 

charcoal drawing

# 

pencil drawing

# 

pencil

# 

line

# 

portrait drawing

# 

academic-art

# 

realism

Dimensions: height 248 mm, width 177 mm

Copyright: Rijks Museum: Open Domain

Curator: This drawing is titled "Portret van Mevrouw Mosion," or "Portrait of Mrs. Mosion," and it's attributed to Baron Dominique Vivant Denon. It's estimated to have been made before 1803. Editor: The initial impression is striking. The contrast! Such delicate pencil work, it's almost ephemeral. The sheer scale of the hat relative to her face…it hints at wealth and status, but also almost overwhelms the subject. Curator: Absolutely. Denon’s strategic use of line in pencil and charcoal speaks to the academic traditions of the time. It's fascinating to consider this as an object produced in a specific social context, during Denon's career. The detailed depiction of her attire, down to the rendering of the fabric of the hat and shawl, underscores a fascination with luxury and its display. Editor: It speaks volumes about the sitter's class and position, of course, but I’m drawn to the *process* behind this object. How many sittings would it have required? What kind of relationship did Denon have with his subject, to coax out such…serenity? And how does the act of drawing someone affect power dynamics of the moment? Curator: That's precisely it! We must think of portraiture as part of a complex social exchange. Commissioned portraits in this period reinforced social hierarchies, of course. Denon moved within elite circles, so this image reflects that. He later became director of the Louvre—essentially, arbiter of taste—and we have to remember how his art both mirrored and supported the structure of artistic patronage. Editor: Indeed. The materiality and technique are so tied to her persona. Looking closely, there’s almost an unfinished quality, particularly around the edges, that invites us to imagine the hand of the artist, the subtle pressure on the pencil. That raw simplicity contrasts so strongly with the clear indicators of wealth elsewhere. The labor involved in fashioning this portrait both depicts luxury and is in itself a kind of luxury! Curator: It really encapsulates a particular moment in the history of art and society. Thanks to Denon's skill, we can get some great insight from it. Editor: I find it's so thought-provoking. Thank you for shedding some light on how best to perceive it.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.