Edward Weld c. 1761

Pompeo Batoni painted this portrait of Edward Weld in oil paint, sometime in the 18th century. Batoni was known for his portraits of wealthy Europeans, particularly the English, who were on the Grand Tour. This was a rite of passage for young aristocrats, a chance to see the great cultural sites of the continent, and to acquire art and social polish. Weld's portrait speaks to the economic and cultural power of the British elite at this time. Note Weld's fashionable attire, the delicate lace at his cuffs and neck, and the small, elegant box he holds. These details communicate his status and refinement. The Grand Tour was also a form of cultural tourism that reinforced existing social hierarchies, both within Britain and in its relationship to Europe. As historians, we can look at letters, diaries, and other documents to understand the experiences of those who went on the Grand Tour, and the social and cultural values that shaped their travels. The art of this period reminds us of the power of art to reflect and reinforce social structures.