An Art of Exchange Featuring an Unknown Young Man from a Painting by Albrecht Dürer 1976
Dimensions: support: 616 x 527 mm
Copyright: © John Murphy | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is John Murphy's "An Art of Exchange Featuring an Unknown Young Man from a Painting by Albrecht Dürer." It's quite striking how a seemingly mundane object, a banknote, is elevated. What statement do you think Murphy is making by juxtaposing Dürer with currency? Curator: The artwork draws attention to the circulation of images and value. The Dürer portrait, extracted from its original context, becomes a symbol embedded within the socio-economic system of the banknote. It prompts us to consider how artistic creations are commodified. What does it mean to exchange art? Editor: So, it's questioning the art market and the value we place on art versus money? Curator: Precisely. It also comments on cultural appropriation, how Dürer's image is repurposed, its meaning altered by its new context. Editor: I hadn't considered the appropriation aspect. It makes you rethink the whole idea of artistic influence and ownership. Curator: Exactly. This piece highlights the complexities of how images function within broader cultural and economic structures.
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http://www.tate.org.uk/art/artworks/murphy-an-art-of-exchange-featuring-an-unknown-young-man-from-a-painting-by-albrecht-durer-t03343
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These are from a series of works in which Murphy presented German banknotes printed during the inflationary period leading to the collapse of the Deutschmark in 1923. Murphy wanted to make a comparison between aesthetic value and monetary value in art. He also drew a parallel between buying a work of art, and connecting with the ideas behind it so that when you buy a work of art, you also ‘buy in’ to its concept. Murphy deliberately selected banknotes that used images from ‘high art’, thus retaining their artistic status despite the fact that they were now worthless as currency. Gallery label, May 2003