Colonnade van de Zonnetempel te Palmyra c. 1875 - 1900

This photograph of the Colonnade of the Temple of the Sun at Palmyra was created by Maison Bonfils, using albumen print. The image speaks to the material reality of monumental architecture. It evokes not only the massive stones used to construct the colonnade, but also the labor required to quarry, transport, and erect these pillars. We can imagine the teams of workers, likely enslaved, whose efforts made this temple possible. Photography itself, though seemingly detached, also involves a kind of labor. The Bonfils family established a studio in Beirut, producing countless images of the Middle East for a growing tourist market. Their work became a visual commodity, consumed by Europeans eager to experience the exotic "Orient" from a safe distance. It’s a reminder that even seemingly objective images are shaped by economic forces and cultural biases. Consider photography not just as art, but as a product of human effort, intertwined with the complex narratives of labor, trade, and cultural exchange.