To sammenkoblede køer by Madsen, A.P.

To sammenkoblede køer 1854

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print, engraving

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print

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landscape

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genre-painting

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engraving

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realism

Dimensions: 162 mm (height) x 221 mm (width) (plademaal)

Editor: This is "To sammenkoblede køer", or "Two Linked Cows," by A.P. Madsen, made in 1854. It's an engraving on paper depicting two cows in a flat landscape. The detail is quite striking, and the overall tone is rather subdued. What stands out to you when you look at this work? Curator: Well, I immediately focus on the medium – the engraving. Think about the labour involved in producing this image. The artist meticulously etched lines into a metal plate, wiping away excess ink from its surface for each and every impression on paper. We see the repetitive nature of agricultural labour mirroring the labor-intensive process of printmaking itself. Editor: That's interesting! I hadn't considered the connection between the subject and the process so directly. Curator: And consider the social context. It's realism, aiming to depict everyday life, but what does that *mean* in 1854 Denmark? Look at the linked cows. They’re tools of production as much as subjects, their materiality exploited by human intent. Who is consuming the products these animals create? Who is excluded from accessing these products? Editor: It’s not just a pretty picture of cows, is it? The engraving technique makes the flat landscape texture vivid and raw. It draws attention to the production, doesn’t it? How people interact with their environments and what tools were necessary. Curator: Exactly! We can explore class structure and exploitation of natural resources through artistic representation like this engraving. This forces us to reconsider simple aesthetics. The medium isn't neutral; it participates actively in meaning production. Editor: So it's not *just* about what is represented but *how* it’s represented and *what* the means of production imply. Thanks. Curator: Precisely! Consider how Madsen, by using printmaking as opposed to paint, is choosing a medium of wider dissemination and potentially addressing the consumer society that his art also reflects. A potent commentary on the interconnectedness of humans, animals, and labor.

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