Dimensions: support: 273 x 216 mm frame: 470 x 411 x 75 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This is William Powell Frith's "Dolly Varden." Look how she emerges from the woods, all charm and rosy cheeks. Editor: It has a kind of theatrical sweetness, doesn't it? Like a stage set, almost too perfectly composed to be nature. Curator: She is named after a character in Dickens's "Barnaby Rudge," embodying a certain ideal of youthful, fashionable innocence. Her attire, the hat, the shawl, are all part of the Dolly Varden craze. Editor: Absolutely, I see that now. A costume signifying a specific cultural moment. Like a painted advertisement for a feeling. A pretty and shallow one? Curator: Perhaps, but Frith captured the zeitgeist. The way we use clothing to project identity. I still find her gaze inviting, innocent maybe, but magnetic. Editor: An intriguing piece, hinting at the complexities of appearance and cultural obsession. What a curious subject. Curator: Indeed, something to ponder beyond the pretty face.
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Dolly Varden is a character in Charles Dickens’ 1839 novel Barnaby Rudge, set in 1780s London. The character inspired a fashionable outfit known as the ‘Dolly Varden’, popular in Britain and the United States between 1865 and 1870. The figure in this work is shown wearing this type of costume. This painting is an example of what became known in the nineteenth-century as a ‘fancy portrait.’ Artists would paint portraits from imagination and name them after characters from popular literature. Gallery label, February 2019