Mrs Downey by Henry Raeburn

Mrs Downey c. 1787 - 1790

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Dimensions: support: 2375 x 1499 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Raeburn's portrait, Mrs. Downey, presents a woman in an elegant white dress, posed against a landscape of autumnal colors. Editor: The immediate impression is one of poised elegance, perhaps a touch melancholy. Her expression is serene but the dark forest hints at something more complex. Curator: Consider the social context. Raeburn, active in Scotland during the late 18th and early 19th centuries, painted portraits of the Scottish elite. We must examine what societal expectations were placed on women of this status. Editor: The white dress itself speaks volumes, doesn't it? A symbol of purity and status, yet the loose, flowing style suggests a break from the more rigid societal norms, perhaps a yearning for freedom. Curator: Precisely! And the orange sash? Is it a challenge to the restrained expectations, a subtle assertion of identity? Editor: It certainly draws the eye. Perhaps it symbolizes passion or vitality, intentionally juxtaposed against the somber backdrop. It's a compelling contrast. Curator: Absolutely. These visual cues give hints to the complex negotiation of identity during this period. Editor: Looking at it now, I see more than just a portrait; I see a story waiting to be unpacked.

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tate 5 days ago

http://www.tate.org.uk/art/artworks/raeburn-mrs-downey-n01146

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tate 5 days ago

Raeburn was the leading Scottish portrait painter of his day. He was influenced by his English predecessor, Joshua Reynolds, but worked in a looser style, more like the work of his younger contemporary, Thomas Lawrence. He liked to paint directly on to the canvas, without preliminary drawing. Even his grandest portraits have an informal, spontaneous air.Mary Hepburn of Haddington was two years older than Raeburn. She married a Mr Downey of Preston Pans and the portrait must date from shortly afterwards, around 1787-90. The couple’s status is apparent from her fashionable dress and the landscape with a classical pedestal. Gallery label, May 2007