Louis XIV 1671

Editor: This is Robert Nanteuil's portrait of Louis XIV, held in the Harvard Art Museums. The level of detail is remarkable, especially considering it’s an engraving. What strikes you about this work? Curator: The engraving process itself is key. Consider the labor involved in meticulously etching each line. It transforms the King into a commodity, a reproducible image circulated for political gain and to reinforce his power. Editor: So, the act of making it is part of its meaning? Curator: Precisely. The printing press allowed for mass production, disseminating the image of Louis XIV and, by extension, the idea of absolute monarchy itself. It shifts the focus from divine right to a manufactured image, available for consumption. Editor: That's fascinating. I never thought about it that way. Thanks! Curator: The social context of its creation is invaluable. I’m glad I could offer a new perspective.