Maanden in het tweede jaar van de Franse Republikeinse Kalender by Salvatore Tresca

Maanden in het tweede jaar van de Franse Republikeinse Kalender 1792 - 1794

0:00
0:00

print, etching, engraving

# 

neoclacissism

# 

aged paper

# 

light pencil work

# 

allegory

# 

print

# 

etching

# 

old engraving style

# 

landscape

# 

history-painting

# 

engraving

Dimensions: height 352 mm, width 270 mm

Copyright: Rijks Museum: Open Domain

Curator: This engraving, entitled "Maanden in het tweede jaar van de Franse Republikeinse Kalender," dates from between 1792 and 1794. It gives me such a strong neoclassical feel. Editor: You’re right, it’s striking! But more than that, the pose and the subject’s gaze give it such an intimate feeling. She’s turned slightly, as if interrupted from a private moment, looking over her shoulder… almost melancholic, wouldn’t you say? Curator: Absolutely, though the melancholy has cultural roots, perhaps tied to the turmoil of the Revolution, wouldn't you think? Look at the subject; she is draped in classical garb with symbols around her, likely representing the harvest season, perhaps referencing republican virtue and an idealized relationship with the land. Editor: It’s true; there's that harvest basket overflowing with grapes balanced so delicately on her head! It does conjure up themes of abundance, while her downcast eyes perhaps hint at something else altogether? Maybe the artwork's melancholic note isn't so much revolutionary sadness, but rather about the precarity of plenty... even republican virtue? Curator: That's a compelling interpretation! Looking closer at the print, one notices an idealized landscape serving as background which functions more as a cultural signifier, something more imagined than seen. Editor: Funny, you saying it looks more "imagined." That's probably why it reminds me a little bit of those landscapes from a Tarot card... you know, symbolic and slightly out-of-whack! It also gives me an unsettling feeling given the socio-historical context you were just discussing. I wonder what the people seeing this piece at the time felt. Curator: That’s an excellent point. It is likely viewers then may have readily associated these images with very real hopes and anxieties tied to social and political upheaval. We are viewing this engraving now with centuries of emotional and cultural accumulation behind it, and it affects our perceptions, doesn't it? Editor: Precisely. Something as seemingly straightforward as harvest symbols could’ve packed an almighty emotional punch back then! Thanks for all your cultural memory recall; it gives an entirely different reading of this! Curator: Of course, seeing through the symbols allows a piece like this one to whisper its many stories a little bit clearer.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.