Kaartavond bij Lochner by Jan Brandes

Kaartavond bij Lochner Possibly 1787

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drawing, paper, watercolor, ink, pencil, charcoal

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portrait

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drawing

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pencil sketch

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charcoal drawing

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paper

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charcoal art

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watercolor

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ink

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coloured pencil

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pencil

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genre-painting

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charcoal

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watercolor

Dimensions: height 155 mm, width 195 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have “Kaartavond bij Lochner,” or “Card Game at Lochner's,” potentially from 1787, rendered with a compelling mix of pencil, ink, watercolor and charcoal on paper, attributed to Jan Brandes. What strikes you initially? Editor: A sense of enclosed domesticity under muted light. The scene radiates quiet tension. A few men engrossed in a game, but look at that cat; almost an observer like us, a touch of silent, watchful knowing. Curator: The magic lies in the details. Consider Brandes' choice of materials: humble pencil and charcoal, elevated by watercolor washes. It suggests a readily available record, an everyday scene elevated through artistic labor. There is an element of recording or documentation that goes beyond high art practices. Editor: Absolutely, and it's not just any record, but one infused with the symbolism of leisure and maybe even folly. The playing cards, the single lit candle representing transient luck. Notice the rudimentary scoring – life marked in simple strokes, gains, losses. Even the cat, a traditional symbol of slyness, becomes a commentary. Curator: Precisely! Look how Brandes uses those inexpensive, readily available materials to show an intersection between private and semi-public life. Brandes captures social life at the intersection of class, leisure, and location in that time period. Editor: There's a strong evocation of place – a feeling of intimacy, maybe a bit conspiratorial even in a scene meant to capture what seems ordinary life. Do you notice that curious pair of tongs by the table? Curator: Fascinating. An incredibly useful instrument and yet the shape hints towards danger and maybe even aggression. I see an odd connection between tools for handling practical, and possibly perilous work with sharp tension embedded within this image. Editor: Perhaps they represent a domesticity that belies some sharper point, or hint at social stratifications beyond what initially meets the eye? That even in leisure, labouring society is never truly free. Curator: Indeed! Brandes' artwork here reminds us that the story behind artistic processes, behind choices of material is linked intimately with societal context and understanding symbolic language can make for richer experiences. Editor: A quiet game turns into a wealth of ideas. Thank you for revealing to me those hidden social stratifications of meaning.

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