Corfu 1893

Editor: Gauley’s watercolor, "Corfu," shows such a muted, ethereal landscape. What jumps out at you when you look at this scene? Curator: It’s fascinating how Gauley uses such subtle color to depict Corfu. Given its location, this work enters into a visual dialogue with classicism, but also with British imperialism. How do we, as viewers, reconcile that tension? Editor: So it’s not just a pretty picture, it’s also about power dynamics? Curator: Exactly. Watercolors were often used by the British to document landscapes and, by extension, claim ownership. Understanding this context enriches the viewing experience. Editor: That's a perspective I hadn't considered. Thanks! Curator: My pleasure. It’s all about understanding the politics of imagery.