Solar Prism by Sonia Delaunay

Solar Prism 1914

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drawing, mixed-media, collage, paper

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drawing

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cubism

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mixed-media

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art-nouveau

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collage

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paper

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geometric

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abstraction

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orphism

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modernism

Dimensions: sheet: 49.8 × 33 cm (19 5/8 × 13 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Looking at Sonia Delaunay's "Solar Prism" from 1914, one is immediately struck by the composition—the dynamic interplay of geometric forms. What is your initial read of it? Editor: It feels cobbled together. Like a studio floor at the end of a very busy day. I am interested in all the offcuts that form this supposedly refined composition. What materials are we looking at here? Curator: It is a mixed-media collage, predominantly paper, with elements of drawing. What stands out to me is the artist’s command of color and form; how shapes interlock to create spatial tension. Delaunay explores the possibilities of abstraction as a way to visualize light. Editor: I'm wondering where she sourced the paper. Was it mass-produced? Scrap paper? The work gives the impression of scarcity—it’s resourceful, yet elegant. This tension intrigues me. Curator: Think about Orphism, the art movement Delaunay pioneered with her husband. The essence of Orphism lies in using color to evoke the experience of light, pushing beyond representation. Semiotically, we can analyze the interplay of colors, the rhythm they create—an abstract visual language in itself. Editor: But what about the glue? The way the edges are slightly uneven, some lifting away from the surface? This speaks of hand labor, the tangible process, which should be noted when exploring this work. This suggests a physical, almost visceral approach. Curator: Indeed. It's this tension between intellect and material reality, a signature element of modernism. I perceive this drawing as more than just an aesthetic arrangement; it symbolizes a transformative moment in art history—the advent of pure abstraction. Editor: I see the advent, certainly, but also the echoes of production in this intimate studio production. An almost hidden history of materials, application, and arrangement… Curator: A truly complex yet ultimately harmonious collage—Delaunay has produced an elegant drawing using humble means and shapes, I would say. Editor: Absolutely, Delaunay has woven an impressive tension of visual poetics. A true meeting of material and spirit!

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