paper, ink
portrait
paper
ink
Copyright: Rijks Museum: Open Domain
This is the back of a postcard to Philip Zilcken, created by James Ensor sometime in the early 20th century. As a Belgian artist, Ensor was working in a cultural landscape defined by rapid industrialization and social change. We see the remnants of a transactional and social exchange. The postal markings, the stamp of 1920, and the handwritten address are all material traces of a connection between Ensor and Zilcken. Ensor's work often challenged societal norms and expectations, delving into themes of satire and the grotesque. Was this card a critique of the recipient? Was he inviting him to one of his famous masquerade parties? Was it a way for Ensor to connect with a fellow artist and intellectual in a rapidly changing world? This postcard offers a glimpse into the human need for communication and connection amidst historical shifts. It serves as a reminder of the personal dimensions of art and its ability to transcend time.
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