Portret van Maximiliaan I van Beieren by Johann Heinrich Lips

Portret van Maximiliaan I van Beieren 1768 - 1817

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Dimensions: height 178 mm, width 121 mm

Copyright: Rijks Museum: Open Domain

Curator: This engraving presents a portrait of Maximiliaan I van Beieren, dating approximately from 1768 to 1817. It resides here at the Rijksmuseum. Editor: It's striking how rigid and formidable he appears! The stark monochrome amplifies the intricate detailing on his armor. You can almost feel the weight and coldness of the metal. Curator: Absolutely. Let's consider this artwork's materiality. The choice of engraving – a printmaking process – allows for dissemination, suggesting that there was an intention for this image to be widely distributed. Who was the audience and what message was intended? Editor: That's interesting because his portrait makes me think of power, certainly. The Baroque style influences this visual representation. This depiction echoes earlier power symbols of royalty that continue here. But given it's an engraving, the distribution meant that this could be seen and replicated over and over again, even made for the masses. Was this meant as propaganda or information? Curator: A very astute point! Think about how portraits were consumed in the late 18th and early 19th centuries. Engravings such as this provided a vital form of visual communication, circulating images of leaders and shaping public perception during an age of political change. Consider also the labor of the engraver, Johann Heinrich Lips. Each line, carefully incised into the plate, represents hours of skilled work that contributes to this construction of Maximilian's persona. Editor: Considering that historical backdrop allows for us to now perceive beyond the armor that visually encapsulates Maximilian I, it permits access to question his power as a leader in the public sphere at the time. And that Baroque tradition! Curator: Precisely! This single image can open conversations about technology and politics, class and reception, offering a layered reading of history. Editor: Absolutely, and I've come away seeing so much more than a portrait of someone formidable. Curator: Likewise! I find myself curious about the printer who created this and whether their studio aided its production, so I too will look into that further!

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