Head Erect, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands 1888

Editor: Here we have "Head Erect, from the Parasol Drills series" created in 1888, by Allen & Ginter, a drawing and colored pencil print. The woman’s pose is very controlled and proper. What can you tell me about this piece, from an art expert's viewpoint? Curator: Well, focusing purely on form, we can see an interplay of geometric shapes against the figure’s organic curves. Note the parallelism between the parasol’s line and the tilt of her head, creating visual harmony. And what do you think of the chromatic range of hues from head to dress? Editor: I noticed that, it's quite soft! The light pink dress seems almost faded, in contrast to the details on the hat. I thought this choice creates depth, but also maybe hints at themes beyond pure aesthetics? Curator: Perhaps. However, if we strictly consider its formalism, one might argue that Allen & Ginter were more focused on the relationship of tone to create dimension in a limited plane. Notice how this technique gives substance to otherwise potentially flat pictorial space. Editor: I see your point, but how can we separate the artist's intent, or social implications, when it comes to viewing any artwork? Doesn't their existence intrinsically change the very formal components you are analyzing? Curator: That line of questioning drifts outside the bounds of a formalist lens, no? Though such issues undeniably possess merit. Instead, consider how the visual elements are working together. Do these shapes have any intrinsic geometric values that create depth for you? Editor: I suppose viewing it as formal components lets one consider different structures or approaches. I will have to rethink my interpretation when I return to observe Allen & Ginter's art. Curator: Exactly! Hopefully you’ll return with a fresh appreciation for pure compositional mechanics regardless of representational matters.