Joanna Lion Cachet-Cordes by Carel Adolph Lion Cachet

Joanna Lion Cachet-Cordes c. 1935 - 1940

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drawing, paper, pencil

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portrait

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drawing

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figuration

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paper

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pencil

Copyright: Rijks Museum: Open Domain

Editor: Here we have Carel Adolph Lion Cachet’s pencil drawing, "Joanna Lion Cachet-Cordes," dating from around 1935 to 1940. The lines are so delicate and fleeting; it's like catching a thought on paper. What do you see in this piece? Curator: It's interesting, isn't it? I see more than just a portrait. I see the echo of a classical motif – the sleeping figure, perhaps a modern echo of Endymion or even a veiled reference to earlier iconic images of the deceased. The light touch only enhances the vulnerability of the subject. What sort of emotions do you think Cachet sought to evoke? Editor: I guess… maybe something tender? The lines are soft, like he’s trying not to disturb her. But then there’s this cluster of marks around her eye almost obscuring her expression, or is that obscuring the likeness of the face? Curator: Ah, yes, consider that concentration of line-work a visual *repoussoir*, designed to deepen the viewer's emotional engagement, preventing any kind of casual, facile looking, making it not just *any* sleeping woman, but specifically his Joanna, existing perhaps, in a liminal space. Almost as a dream-image. Are there elements that you read as symbols rather than merely representational? Editor: Well, the loose rendering of her hair almost looks like… a halo? It could simply be his artistic style. The open sketchbook adds a spontaneous candid effect, and creates a sense of voyeurism. Like, this drawing is inviting me in. Curator: Precisely. That casualness masks a deliberate symbolic encoding, transforming the familiar domestic scene into something more enduring and almost transcendent. It certainly moves beyond mere technical facility doesn’t it? Editor: Absolutely. It is as though he tried to suggest something profound about how we see those we love, almost placing them in the world of sacred memory, making every detail a symbolic testament of enduring feeling. I see a much more sophisticated picture now. Curator: Yes, these close observations unlock hidden dimensions and underscore the artwork’s enduring appeal.

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