Petit Courrier des Dames, 5 mars 1827, No. 454 : Costume de Bal... by Anonymous

Petit Courrier des Dames, 5 mars 1827, No. 454 : Costume de Bal... 1827

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drawing, print

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portrait

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drawing

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print

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figuration

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romanticism

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dress

Dimensions: height 201 mm, width 113 mm

Copyright: Rijks Museum: Open Domain

Curator: This print, "Petit Courrier des Dames, 5 mars 1827, No. 454 : Costume de Bal..." comes to us from 1827 and resides at the Rijksmuseum. It presents an interesting snapshot of fashion at the time. Editor: Oh my goodness, it looks like something Marie Antoinette might have dreamt up for a costume ball, right before her… well, you know! A kind of frothy confection of fabric and questionable taste, frankly! Curator: Fashion plates like these weren't just about dictating trends; they actively constructed the visual culture surrounding femininity, status, and class. They enforced norms, while simultaneously presenting aspirational ideals of beauty and comportment. Editor: I get that, intellectually. But honestly, looking at that elaborate hairdo, I can’t help but wonder how long it took her maid to build that architectural masterpiece! It seems more like torture than art! It's like, how could you possibly navigate doorways, or even sleep comfortably, with that floral bird's nest on your head? Curator: And consider the political context. This was during the Restoration period in France, a time of re-establishing social order. Fashion, as always, played a key role in visually reinforcing these hierarchies. Think about the fabrics used, the cut of the dress, the overall extravagance... all signifying wealth and privilege. Editor: True. The volume of fabric alone screams, "I don't do dishes!" or, well, anything remotely useful! I mean, it’s intriguing, this little vignette of the fashionable elite… but also feels disconnected from any real, lived experience. Almost a performance, don't you think? Curator: Precisely! And that performative aspect is crucial. These women weren't simply wearing clothes; they were embodying an ideal, participating in a complex social game with its own rules and codes. That, I believe, speaks volumes about women in history. Editor: Still, I think I would’ve opted for something simpler… perhaps a comfy blanket and a strong cup of tea! But thanks, that look back has given me pause... food for thought. Curator: Indeed. By interrogating historical imagery like this, we unearth a network of power dynamics and hidden stories. A powerful, layered history lies right under our eyes.

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