Dimensions: support: 1588 x 1593 x 42 mm
Copyright: © Derrick Greaves | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Derrick Greaves created this intriguing piece, titled "Falling I," and it resides in the Tate Collections. Editor: My initial feeling is one of disorientation. It's as if I'm seeing a figure through shattered glass, or perhaps the fracturing of an idea. Curator: The composition uses strong geometric lines that intersect and segment the figure, disrupting its form, dividing the canvas planes, and creating a fragmented image. Editor: Exactly, the figure seems trapped, like a memory struggling to stay whole. The stark blues and that muted green amplify the sense of unease. Curator: Indeed. The bold color palette, combined with the subject matter, creates a visual tension, a sense of something being both present and absent. Editor: For me, it is a powerful representation of vulnerability. That sense of free fall, of losing control. It resonates deeply. Curator: I find myself thinking about the interplay between form and content, how the fracturing reinforces the emotional state of falling, of breaking apart. Editor: It leaves me pondering the nature of reality, or maybe just my own tendency to overthink everything! But in a good way.
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In the 1950s Greaves was considered to be one of the so-called Kitchen Sink artists whose work dealt with mundane aspects of everyday life. is one of a number of later works which show his progression away from realistic depictions towards abstraction. Made out of fragments of torn paper, it shows a figure falling forward, his head and shoulders obscured by an area of black. The jagged red lines, like wounds or scars, suggest Greaves is referring to the biblical of mankind. Gallery label, September 2004