Apotheosis of the Human Brain 2010

Curator: What an arresting combination of forms and textures! It immediately strikes me as both playful and deeply unsettling. Editor: I agree, there’s an intriguing duality here. We’re looking at Lubo Kristek's mixed-media assemblage, "Apotheosis of the Human Brain," created in 2010. Kristek is known for incorporating found objects into surreal, thought-provoking sculptures. This particular work uses assemblage, photography, and various found elements. Curator: I’m drawn to the use of that fragmented mannequin torso as the central figure. The floral arrangement bursting forth from its chest feels strangely organic, yet totally artificial given the material. Also, are those scales attached? I see the idea of balance, of equilibrium, perhaps implying rational thought? Editor: The scales do invite reflection. Kristek often uses these objects to critique societal imbalances. It could speak to the shifting role of the human brain amidst technological advancements and the flood of information in the 21st century, which may lead to disorder in certain populations. We are also faced with issues with which he grappled throughout his life: a loss of personal freedom due to his homeland being occupied by soviet and Nazi regimes throughout much of his young adulthood. Curator: Notice also the photographic element – a partial painting is placed as an almost chaotic backdrop. This, combined with the ladder gives the effect of ascent, both real and aspirational. Editor: Precisely. These juxtapositions create multiple layers of interpretation. Kristek created this assemblage when public art and graffiti were very accessible, perhaps attempting to meet his viewers where they are and challenge norms around more 'highbrow' forms of art. He seems keen to force us to question societal structures, norms, and our place within them. The ladder leaning into the upper painting might mean social ascent as a dangerous goal in some respect. Curator: It’s certainly a compelling commentary. I'm now appreciating the care put into bringing discarded everyday items to represent greater themes, reflecting personal and collective identity. Editor: I couldn't agree more, It presents a challenging visual experience – it's almost a kind of visual poetry created through juxtaposition.