Christ Child with Instruments of the Passion 1545 - 1555

This small devotional print, ‘Christ Child with Instruments of the Passion’ resides in the Metropolitan Museum of Art. Its anonymous maker created it using engraving and etching, processes which democratized image production. The print depicts the Christ Child in the foreground, surrounded by symbols of his future suffering. The ladder, the lance, the nails—each object foretells the Passion. The child’s androgynous form invites a contemplative gaze, typical of Northern Renaissance art, asking the viewer to emotionally connect with the divine through empathy. Consider how the anonymity of the artist allows the image to transcend individual identity, becoming a universal symbol of faith and suffering. This work exists in a time of religious reform and fervent personal piety. Look closely at how the print employs both traditional religious iconography and an emerging emphasis on personal, emotional connection, reflecting a society grappling with evolving spiritual practices. The inscription ‘Speculum Amoris’, or ‘Mirror of Love,’ implores us to see ourselves reflected in Christ's suffering.