Maison Élevée Rue St. Georges par M. Renaud 1839 - 1843

Curator: Here we have an etching, "Maison Élevée Rue St. Georges par M. Renaud" which translates to "House Erected on St. Georges Street by Mr. Renaud," created sometime between 1839 and 1843 by Armand-Hippolyte-Louis Fizeau. It resides within the Metropolitan Museum of Art's collection. Editor: What immediately strikes me is the level of detail and almost overwhelming ornamentation. It gives a real sense of the period’s obsession with displaying wealth and status. Curator: Exactly. This print gives us insight into the architectural aspirations and social hierarchies of 19th-century France. Notice how the meticulous etching captures every flourish. We see it not only in the façade but also in the statuary perched atop the gateposts. This was an era defined by rigid social structures, and architecture like this was a powerful tool for self-representation by rising bourgeoisie. Editor: Yes, the building practically shouts its owner's success, doesn’t it? Look at the emphasis on symmetry, the classically-inspired statues, and the intricate ironwork. These aren’t just aesthetic choices. They communicate a specific message about the inhabitant’s cultivated taste and adherence to societal norms, really creating a physical manifestation of power. Curator: Furthermore, consider the context of its creation. France in the mid-19th century was undergoing rapid industrialization and urbanization. The nouveau riche were eager to establish themselves and assert their dominance. Commissioning such elaborate architecture was one way to achieve this. Prints like these then circulated those images, thereby disseminating an idealized version of urban living and further solidifying architectural trends and aspirations of the wealthy class. Editor: The image evokes many issues still very relevant today: issues of class, representation, and access. As beautiful as it is, we should also question the cost of such extravagance and who ultimately bore that burden. Also, I cannot help but consider the ways in which contemporary architecture and design still serve to reinforce existing social divides. Curator: Indeed, seeing this helps us look critically at current manifestations of wealth. Perhaps even question who and what we immortalize in our own art and architecture. Editor: A compelling piece, giving a glimpse into both beauty and socio-economic tensions of its time.