Landschap met de Emmaüsgangers by Nicolas Perelle

Landschap met de Emmaüsgangers 1673 - 1695

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drawing, ink, engraving

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drawing

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baroque

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landscape

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ink

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engraving

Dimensions: height 247 mm, width 320 mm

Copyright: Rijks Museum: Open Domain

Curator: This is Nicolas Perelle’s "Landscape with the Road to Emmaus", created sometime between 1673 and 1695. Perelle captured this scene using ink on an engraved drawing. Editor: It feels melancholic, almost dreamlike. The delicate lines and faded hues lend it a sense of antiquity and quiet contemplation. Curator: Indeed. Beyond the landscape, it’s crucial to acknowledge the deeper biblical narrative. We are witnessing a post-resurrection encounter, where Christ reveals himself to two disciples on the road to Emmaus. Editor: The figures themselves are diminutive compared to the grandeur of the landscape. I find it compelling how the ruined bridge mirrors their shattered faith, now being rebuilt through revelation. It's a visual metaphor for spiritual renewal, right? Curator: Absolutely. Think about the cultural weight of religious imagery in 17th-century Europe. Perelle’s decision to embed this encounter within an everyday scene highlights how faith permeated daily life. The figures on the road represent everyman’s journey of belief, walking a path lined by ancient trees—reminders of tradition. Editor: It seems Perelle is suggesting this epiphany can occur anywhere, even in a landscape marred by time and ruin. What about the tower? Is there something symbolic to unpack there as well? Curator: That tower, along with the distant buildings, probably allude to the "heavenly city" and a place of enlightenment and wisdom. And notice how the path leads the eye to the city, and symbolically, closer to this kind of wisdom, maybe implying there is still much ground left to cover. The birds soaring toward the top, however, give you a sense of rising above the material, to something closer to enlightenment. Editor: Very clever! Perelle seems to be using very common, yet potent imagery to convey this story. Curator: The beauty lies in how the familiar becomes a pathway to something more profound. A testament to the power of integrating faith and daily life. Editor: Seeing how faith can infuse such landscapes... I’m walking away contemplating the journey of belief through imagery in an entirely new light.

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