Gezicht op de fonteinen in de Franse tuin van het Kasteel van Versailles by Ferrier Père-Fils et Soulier

Gezicht op de fonteinen in de Franse tuin van het Kasteel van Versailles 1873 - 1890

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Dimensions: height 85 mm, width 172 mm

Copyright: Rijks Museum: Open Domain

Curator: Let's turn our attention to this photograph by Ferrier Père-Fils et Soulier, captured between 1873 and 1890. It's a gelatin silver print depicting the fountains in the French Garden of the Palace of Versailles. What are your initial thoughts? Editor: Well, besides needing a towel, it's pretty dreamy. There's a staged quality, isn't there? The light feels almost painted, those figures just silhouettes enjoying the spectacle of absolute power. The height and volume are so imposing—you really feel the grandiosity! Curator: The choice of gelatin silver is important. It allowed for mass production and distribution of these images, popularizing the idealized view of Versailles. Think of the access it afforded – the possibility to possess and display this scene from afar. It democratized, to a degree, a symbol of royal authority. Editor: Democratizing tyranny one photo at a time. It’s still striking, though, even knowing its function. The way the fountains mirror the gardens in the distance is so calculated, and yet feels natural. I wonder how many gardeners it took to maintain it all? You know, I picture them hidden behind the frame, propping up this grand scene like a set for a play. Curator: Precisely! That’s where labor and material meet. Maintaining those gardens and fountains was a colossal undertaking, requiring an enormous workforce. And the availability and standardization of photography at this scale also suggest new distribution networks were being consolidated in the late 19th century. Editor: Thinking about those labor forces – both behind the fountains and the photo – makes it feel even heavier somehow. Curator: Absolutely. The photograph not only showcases the splendor of Versailles but hints at the intricate social and economic systems propping it up. It's about the spectacle, but also about the mechanics of representation and access. Editor: A perfect snapshot, then, of art, power, and industry playing a balancing act, don’t you think? Like these gardens, that’s something that always needs careful cultivation, as we've seen throughout the centuries.

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