Portret van de predikant Nicolaus Ruymvelt 1690 - 1727

Curator: This engraving from between 1690 and 1727, attributed to Jeremias van Schaak, presents us with Nicolaus Ruymveldt, a rather imposing clergyman. Editor: I find his gaze incredibly direct. There's an undeniable intensity there, almost challenging, set against the Baroque elegance of the frame. He looks as though he can stare straight through my soul, but in a rather kind way. Curator: I think that perception really stems from the symbolic elements Van Schaak employs. Circular frames in portraits often suggest containment, perhaps echoing the subject's professional limitations or status. But here, it's balanced by the warm glow that emanates from Ruymveldt’s face, especially considering his somber robe and stark white collar. Editor: Exactly! The contrast emphasizes a very human element despite the official garb. The light and shadow are really quite wonderful and they create depth. And the fact that this image exists suggests not only prestige but that even 17th-century ministers sought fame in their own communities. And perhaps had similar personality challenges as us, centuries later. Curator: A fascinating thought! His direct gaze is coupled with the elegant curls of his wig. Notice, too, the meticulous inscription naming Ruymveldt as "Minister of the Holy Gospels" within the 'Nieuwe Losdash.' There's a desire here to present his full identity and social standing. Those almost angelic flourishes on either side of the frame, holding the panel with his name... Editor: Ah, I see them as echoes, not just decorative, but of the powerful oratory coming from this preacher. A sonic wave visually expressed as elegant ornaments on his label. It adds this incredible weight and permanence to the character portrayed in this Baroque print. A very serious portrayal and I now know that there is definitely much more to those direct eyes and that face in general. Curator: Ultimately, this is a visual representation of how an individual, through image and title, aims to be remembered and revered. It is not a complete historical portrait. It is part carefully constructed identity, just as in the portraits we construct today!