Portret van Louis Tronchin 1705 - 1732

Editor: This is "Portret van Louis Tronchin," an engraving from sometime between 1705 and 1732 by Jacques Louis Durant, held at the Rijksmuseum. The detail in the face is remarkable for a print. What stands out to you? Curator: For me, this portrait speaks volumes about the social role of the clergy in 18th-century Geneva. Consider the prominence given to the sitter: The elaborate frame and inscription not only denote his status but actively construct his public persona as a learned and pious figure. Notice how the inscription elevates his virtues? This was image management, baroque-style. Do you think this portrayal accurately represents him? Editor: It definitely seems idealized. The engraving emphasizes his wisdom and piety through text. Does that mean it might not be objective? Curator: Exactly! Prints like these were often commissioned to shape public perception and reinforce societal hierarchies. Patronage played a massive part in it, Turrettinus sponsored it. So this wasn't necessarily about capturing an objective likeness. What would happen if this was displayed publicly at the time? Editor: I suppose it would serve to legitimise his position. And influence those around him through its symbolism. Curator: Precisely! So it acted as a tool to reinforce social order within that historical context. Food for thought when thinking about how portraits functioned back then and even how they still operate today. Editor: That's given me a lot to think about! Thanks.