Robert Macaire, Solicitor c. 19th century

Curator: Honoré Daumier, born in 1808, created this print, entitled "Robert Macaire, Solicitor." It resides in the Harvard Art Museums' collection. Editor: My first impression is one of dark satire. The expressions are so exaggerated, it’s almost comical, but there's a real bite to it. Curator: Daumier was a master of social critique. His "Robert Macaire" series lampooned the bourgeoisie, their avarice, and the corruption of the legal system. Editor: I see that now. The man grabbing the other's chin seems to represent ruthless exploitation, a visual embodiment of legal chicanery. The court posters in the background only reinforce that message. Curator: Absolutely. Daumier used caricature to expose the societal ills of his time, making commentary on how the legal system frequently failed the common man. Editor: It makes you consider how consistent these symbolic representations remain. Even today, we recognize these character types in our own societal narratives. Curator: Indeed, it reminds us that art, even in its most satirical form, serves as a mirror reflecting enduring social and political realities. Editor: This work truly demonstrates how symbols and archetypes persist to communicate meaning across generations.