Christus en de overspelige vrouw 1518 - 1522

This is Lucas van Leyden’s engraving of Christ and the adulterous woman. Notice the stones scattered on the ground, symbols not just of potential violence but of hardened hearts and rigid judgment. This motif, with its echoes of ancient rituals, resonates across time. Consider the act of stoning: a primal, communal act of purification through violence. It surfaces in countless cultural expressions, from ancient Greek tragedies to modern-day conflicts. Here, Christ kneels, challenging this ancient impulse. The halo, an emblem of divinity, surrounds his head, inscribed with Greek letters. His presence evokes the tension between divine mercy and human law. By interposing himself between the woman and her accusers, he redirects the narrative and offers a path beyond retribution. This scene is not just a biblical episode; it is a recurring drama of judgment, forgiveness, and the enduring human struggle between justice and mercy. It's a testament to how deeply rooted archetypes continue to shape our understanding of morality and compassion.