Coronation of the Virgin 17th-18th century

Curator: Antoine Rivalz's "Coronation of the Virgin" captures a heavenly scene in delicate brown ink and wash. I’m immediately struck by the swirling movement and the dramatic chiaroscuro. Editor: The upward surge definitely gives a sense of divine ascension. It’s a typical scene of baroque iconography. The composition draws on centuries of theological symbolism, from the Holy Spirit as the dove to the instruments of Passion flanking the Virgin. Curator: The virgin Mary is at the center, hands pressed in prayer. Angels guide her towards God the Father and Christ, who hold a crown above her head. Note how Rivalz uses light to emphasize her purity and grace as she ascends to her rightful place. Editor: It’s interesting how Rivalz translates established religious iconography into a distinctly 17th-century visual language, especially given the socio-political dynamics of art patronage at the time. One wonders about its reception in the context of religious and royal power structures. Curator: It’s a work deeply rooted in tradition, but also very much of its time. Editor: Indeed, and considering its formal qualities alongside its socio-historical context, it gives us much to think about.