Gezicht op de Betuwe en op Rhenen by Steven van Lamsweerde

Gezicht op de Betuwe en op Rhenen 1703 - 1765

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drawing, print, paper, engraving

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drawing

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baroque

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print

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old engraving style

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landscape

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paper

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cityscape

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engraving

Dimensions: height 151 mm, width 422 mm

Copyright: Rijks Museum: Open Domain

Editor: So, this engraving from sometime between 1703 and 1765 by Steven van Lamsweerde is titled "Gezicht op de Betuwe en op Rhenen," which translates to "View of the Betuwe and Rhenen." It's a rather detailed cityscape, almost map-like. What draws your eye in this piece? Curator: Immediately, I'm interested in the artist’s choice to depict not just the buildings, but the land and figures within it, offering a slice of 18th-century life. Consider the role that prints like these played; they weren't just aesthetic objects but a crucial way to disseminate information about places and spaces. What statement might the artist be making by juxtaposing images of nature and ordinary people? Editor: That makes sense, as in a way, that landscape serves a kind of evidence of what that specific moment looks and feels like. Is there something to glean from where it has been shown and whom it may have been shown to? Curator: Precisely. Prints like these were often commissioned or created for a growing merchant class eager to see and understand their world better. So, we're looking at a form of visual knowledge production closely tied to burgeoning trade and civic identity. Notice how Rhenen is prominently featured, perhaps suggesting its importance as a center for commerce or governance in the region. Does that give you any clues? Editor: Definitely. Highlighting the architecture, particularly the tower, seems to symbolize civic pride. I guess this print normalizes and reinforces a shared cultural understanding. It's like visual nation-building, in a way! Curator: Precisely. We see how art operates as a social force, shaping perceptions and even solidifying a shared identity amongst a specific class of people. What begins as an individual’s work morphs into collective understanding. Editor: That gives me a lot to think about, about art's intended impact versus its actual role in culture. Thanks. Curator: It’s all about viewing the artwork within the context of history, so great thinking!

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