Israel Silvestre created this print, "View of Rome with a Plain and Some People in the Foreground," sometime in the 17th century. Silvestre, a master of the etching needle, provides a bird’s eye view of the Eternal City. Consider the positionality of the artist and the viewer. Silvestre, a French artist, creates an image of Rome, a city laden with historical and religious significance. We are invited to view Rome from a distance, almost as outsiders looking in. In the foreground, small figures populate the landscape, seemingly dwarfed by the architectural grandeur in the background. What does it mean to be a tourist, an observer, or even an outsider in a place as historically charged as Rome? Silvestre’s print offers a chance to contemplate the act of seeing and the cultural dynamics at play when one gazes upon a landscape steeped in history.