Study of Eleven Heads 1575 - 1629

This is Jacques de Gheyn the Second’s, “Study of Eleven Heads,” made with pen and brown ink on paper. The quick, repetitive strokes suggest that this isn't just a drawing but a preparatory study for a larger project. When you look closely at the variety of faces, you'll see the material itself, brown ink, is used to define each character through its textures, tones, and expressive lines. The process of drawing with ink allows for hatching and cross-hatching, building up depth and shadow, creating a sense of volume. We get the feeling de Gheyn was mastering his craft, and experimenting with different tools of his trade. The ink’s fluidity allows for subtle gradations and sharp contrasts, showcasing his skill in controlling the medium. This piece exemplifies the labor and skill involved in producing fine art during the period. Thinking about how it was made helps us to understand the final artwork, challenging our understanding of how art is made.