Ex-libris of Manet 1875

Editor: This is Félix Bracquemond's "Ex-libris of Manet," an etching from 1875. The style is delicate, almost ghostly. The image is a bust of Manet atop what looks like a monument. What symbolism do you see at play here? Curator: Well, ex-libris are inherently about ownership, identity, and connection to knowledge. The symbolic weight here lies in the visual vocabulary. Bracquemond places Manet, his contemporary and friend, on a pedestal—quite literally. This implies respect and perhaps even elevates Manet to a sort of artistic deity. Notice how the artist's palette adorns the center. Editor: Yes, I see the palette now – what about the foliage at the bottom? Curator: The foliage framing the base offers an interesting tension. While the pedestal is static, solid, and suggests permanence, the plants imply organic growth and life, but also potential decay. Perhaps this expresses the enduring influence of Manet, but acknowledges that time inevitably changes perceptions. Do you see that phrase inscribed? Editor: You mean, "ET MANEBIT"? That's Latin, right? It seems like it should translate to "And it will remain," adding another layer of permanence, as you were saying. Curator: Exactly. It's fascinating how Bracquemond combines the portrait, the painter's tools, and classical allusions to create a statement about Manet’s artistic legacy and memory. It transforms the function of a simple bookplate into something far more profound. Editor: I see. I had not considered all those layers embedded in this image. I came into this thinking it was merely a simple portrait sketch! Curator: Understanding how symbols evolve through time unlocks much richer stories within the artwork.