Design for large fireplace white tiles produced in Wedgwood's factory 19th century

John Flaxman created this design for white fireplace tiles for Wedgwood's factory, likely in the late 18th century. The image depicts a woman in classical drapery, gazing upward with hands clasped in prayer. This design speaks to the neoclassical tastes prevalent in Europe at the time, drawing inspiration from ancient Greek and Roman art. The Wedgwood factory, a major player in the Industrial Revolution, aimed to bring refined artistry to a broader audience through mass production. The choice of a classical motif reflects the era's fascination with antiquity and its perceived ideals of beauty and order. To fully understand this design, we can look into the social and economic history of ceramics production in 18th-century England, as well as study the artistic conventions of neoclassicism. Investigating the patronage networks of Wedgwood's factory would also provide crucial context. This design, seemingly simple, offers a glimpse into the complex interplay of art, industry, and cultural values of its time.