Putto met toorts in hand c. 1730

This sculpture of two putti with a torch in hand was made by Michiel Emanuel Shee, most likely in the early 18th century, from wood. Look closely, and you'll see how the wood's texture and grain determine the figures' shape, texture and form. The carver used a variety of tools to create the figures and the surrounding floral patterns. Chisels and gouges would have been used to remove larger amounts of wood, while smaller knives and rasps would have been used for finer details. The artist seems to have had incredible skill in carving and modeling the material. Think of the labor that was required to make this piece. The putti's forms are quite traditional, following classical ideals, however, the use of wood made them more accessible. The use of this material creates a close relationship with a wider social context, as the price point would have been more accessible than marble sculptures. As you move on, consider how material, making, and social context contribute to the full meaning of an artwork, blurring the lines between fine art and craft.