Kolonie Veenhuizen, huismunt van veertig cent, geslagen op last van de Maatschappij van Weldadigheid ter waarde van 40 cent 1818 - 1859
print, metal, sculpture
medieval
metal
sculpture
sculpture
Dimensions: diameter 3.7 cm, weight 2.79 gr
Copyright: Rijks Museum: Open Domain
This anonymous coin from Kolonie Veenhuizen presents a fascinating study in the structural dynamics of value and control. Made from a base metal, its worn surface and simple design speak volumes. The coin’s circular form, a common shape for currency, is immediately subverted by the roughly stamped letters ‘K.V.’ and the number ‘40.’ These inscriptions, far from elegant, suggest a utilitarian purpose, a functionality stripped bare. The lack of artistic embellishment underscores its function as a tool within a closed system. This relates to broader theories about power and representation; the coin flattens economic exchange to a mere token, controlling it within the colony. It also asks us to consider the semiotics of money: how does a simple object come to represent value, and what does it mean when that representation is so starkly rendered? The material and design of the coin serve not just as a medium of exchange, but as a stark reminder of the controlled environment in which it circulated. It challenges our understanding of value and questions the mechanisms of social engineering embedded within everyday objects.
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