Gezicht op een deel van het keizerlijk zomerpaleis in Chengde (Jehol) te China 1712 - 1714
drawing, paper, ink, architecture
drawing
light pencil work
pen illustration
pen sketch
pencil sketch
asian-art
old engraving style
landscape
paper
personal sketchbook
ink
pen-ink sketch
pen work
sketchbook drawing
pencil work
architecture
realism
Dimensions: height 325 mm, width 356 mm
Copyright: Rijks Museum: Open Domain
Editor: This is "Gezicht op een deel van het keizerlijk zomerpaleis in Chengde (Jehol) te China" by Matteo Ripa, created between 1712 and 1714. It’s a drawing, made with ink and pencil on paper and currently held in the Rijksmuseum. I'm immediately struck by the contrast between the delicate detail of the Imperial Summer Palace and the wild, mountainous landscape surrounding it. It’s like civilization nestled into nature's embrace. What do you see when you look at it? Curator: Well, it’s more than just a pretty picture, isn't it? It’s a portal to a different time, a glimpse into the collision of cultures. Ripa, an Italian missionary and artist, captured this scene in China, a place then largely mysterious to the West. For me, the seemingly simple sketch encapsulates a complex dance between observation, interpretation, and cultural translation. That landscape feels so vast, dwarfing the imperial architecture…almost as if to remind us that even emperors are just tiny specs in the face of eternity, wouldn't you agree? Editor: Absolutely. There's a sense of perspective and humility, but it still glorifies the Summer Palace! Was this kind of landscape art common in Europe at the time? Curator: Landscape, yes, but perhaps not with such…let’s say ‘Eastern’ inflections. Think about it: Ripa wasn’t just documenting, he was actively filtering the scene through his own artistic lens, attempting to make it understandable for a European audience. Notice how he balances realism with a kind of ethereal, almost dreamlike quality. Editor: It really makes you think about how much our own background shapes what we see. I appreciate that blend now that you point it out! It felt a little “off” to me before and I couldn’t quite put my finger on why! Curator: Exactly! Art, you see, isn’t a mirror, but more of a prism reflecting the light from various angles. Looking at this work is like embarking on a journey! And what did you discover? Editor: I realized just how layered even what appears to be a straightforward landscape drawing can be. So much context simmering beneath the surface! Curator: Precisely! The beauty often resides in the untold stories whispering between the lines!
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