Cup from a tea service for twelve 1807 - 1808
tempera, painting, ceramic
tempera
painting
landscape
ceramic
ceramic
decorative-art
Dimensions: 4 5/16 x 4 1/2 x 3 3/8 in. (10.95 x 11.43 x 8.57 cm)
Copyright: Public Domain
This delicate porcelain cup, part of a tea service for twelve, was crafted by Christophe-Ferdinand Caron. Notice the vibrant bird painted against a serene landscape; this avian motif carries layers of meaning beyond mere decoration. Birds, since antiquity, have symbolized the soul's journey, freedom, and transcendence. Recall the Egyptian Ba bird or the Greek psyche, often depicted with wings, carrying the spirit. The presence of a bird in flight might evoke a deep-seated longing for liberation, echoing ancient myths of transformation and escape. The evolution of this symbol is fascinating. While once revered as messengers of the gods or embodiments of the soul, birds also appear in less flattering contexts, like Hitchcock’s film 'The Birds', where they evoke primordial fears of nature turning against us. This duality reveals how cultural memory and subconscious anxieties can reshape even the most enduring symbols. The flight of this little creature becomes a powerful force, engaging us on a subconscious level and tapping into a primal understanding of life, death, and the eternal quest for freedom.
Comments
This cup and saucer is from a tea service for twelve (the rest is on view in Gallery 310) that was a diplomatic gift from the Emperor Napoleon to Prince William of Prussia in September, 1808. This richly-decorated service is an excellent example of of porcelain meant to impress another head of state. To achieve such quality, Sèvres employed top animal painter Caron from 1792-1815. The paintings on the service (including the bird shown here), based in part on Jean de la Fontaine's Fables, are considered among his highest achievements.
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